By Patricia Zick @PCZick

I’m happily working away at the new novel these days. When I wrote the original concept back in 2006, I provided lots of background research on Florida and the Everglades. That’s the way I’ve always written, even when I was a reporter. I regurgitated all the new and old knowledge onto the page in a very rough first draft or outline of a new piece. Then I set about slicing more than half of what I’ve spewed onto the page.

Successful writing in any field or genre contains three essential elements. I call it the 3 C’s of writing. The elements are correctness, clarity, and conciseness.

Correctness – In journalism, accuracy is a key element (we hope). However, even in fiction, correctness is important. I read a book once where the author was describing a scene where the newly in love couple went kayaking – in a single kayak. He helped her in the seat and then the author wrote that the man jumped in the same seat behind his gal. Also, the couple – both experienced kayakers – were said to use “oars” rather than the “paddles” used in kayaking. I lost interest in the book at this point. Try jumping into a one-person kayak alone, let alone with another person, and remain unharmed, upright and dry, and I’ll eat an oar immediately. Correctness is essential in the details of a novel. If you chose a famous place for the setting, make sure you know that place and the names of streets and intersections. You can make up the name of hotels and restaurants, but be sure you know distances between places. Also, make sure that if you’ve set your novel in 1984 you haven’t created any anachronisms by having a character pick up a cell phone to make a call. I’m reading a book right now that I thought was set twenty years, ago but the author just mentioned Wikipedia and Craig’s List. I don’t think either of those were around then.

Clarity – Clarity goes along with conciseness in some ways. Make sure nothing in the novel confuses the reader’s understanding of the story. I don’t mean the confusion that might come from unraveling a mystery. The reader shouldn’t have to read a word, a sentence, or a paragraph repeatedly to make sense of what you’ve put on the page. I ask my Beta readers to point out any confusing areas by simply putting a question mark. Sometimes it’s as simple as a misplaced modifier, such as “Credit cards shall not be given to customers unless the manager has punched them first.” I misplace my modifiers often in the first draft, and just as often, I’m not the one to catch them.

Conciseness – Finally, I get to the reason I started writing this post. I’m struggling now with all that background information culled from reading, interviewing, or living. It’s sometimes difficult to realize that the reader doesn’t need and probably doesn’t care to know all I’ve learned before writing the novel. The reader simply wants a story to be told. I’m struggling right now as I turn that original draft/outline into a real first draft ready for Beta readers. That background information or exposition as it’s called by literary folks doesn’t all need to come at once or at all. The author decides where, when, and how much to tell. Some of it can come out in plot situations throughout the book. It’s one of the beautiful things about being an author. It’s also one of the most difficult. Beginning writers can sometimes be spotted immediately because they haven’t yet realized the importance of conciseness. I’m still learning after nearly two decades in this business. You don’t need to tell the reader everything you know. Not even close.

Here’s something I try to remember every time I write: Just because I put it down on paper, doesn’t mean I’ve carved the words in stone. That delete button is a one-finger press away. (But just to be sure I create a file for deleted passages.)

What do you think? Are these important elements in storytelling?