Book Review Friday – David Lawlor’s “Liam Mannion” series

An author faces a monumental task when writing historical fiction. If one historical fact is wrong or an anachronism appears, the reader is likely to put aside the book in favor of one that achieves historical accuracy tempered with believable dialogue, heightened tension, and sympathetic, yet flawed, heroes.

If you are a reader of historical fiction who requires accuracy, suspense, and flawed, yet heroic main characters, then I suggest you go directly to Amazon and buy Tan or The Golden Grave or both by David Lawlor.

RESIZED TANI read Tan first because it is the first in the “Liam Mannion” series of suspenseful and historical novels written by Lawlor. I interviewed him on Author Wednesday a few months back and was intrigued to learn this journalist writes while commuting to his job an hour each way. This process works to create suspenseful fiction with colorful and unforgettable characters.

Set in England and then Ireland in the year after the end of World War I, Tan explores the war of a closer nature immediately following Liam Mannion’s release from the English Army in 1919. Here’s a guy forced to leave Ireland at a young age because of an act he witnessed after a night of drinking at a friend’s wedding. It’s here where the conflict of the story begins when the evil Webber blames and accuses the young Liam of an indecent act against a virtuous married woman. Webber’s fiction that forces Liam into exile begins a whole series of events that mark Liam for life.

Liam heads to England in 1914 and ends up in the English army fighting in France during the majority of World War I.

When Liam eventually heads back to England after the horrid and putrid rot of dead bodies that made up his memory of the war, he ends up in an insufferable situation, which leads him to homelessness, and then worse, as an officer of the crown as a member of the powerful and often repressive Black and Tan. Liam turns a blind eye to the atrocious behavior of his English comrades, only until it becomes evident that his loyalty to the Black and Tan extracts too high of a rent for clean clothes and warm bowl of soup.

Lawlor captures the uncertainty of the times through the examination of Liam’s uncertain future as he’s thrust into situations beyond his control. Precise and graphic descriptions of life in England and Ireland post-World War I show that despite the end of a tragic war on the mainland of Europe, Ireland faced an even greater war at home with the invasion and intrusion of the Tans.

I fell in love with Lawlor’s descriptions of the setting in Tan as I lost myself in the world of the Irish fighting for their lives and their homeland. Here’s an example of Lawlor’s powerful descriptive talent:

“They leaned against the viaduct’s promenade rail, looking out on their hometown, watching the slow huff of a steam engine as it trundled into the station, the smell of the sea mingling with the coke from Cumisky’s coal yard beneath them.”

Lawlor peppers the novel with descriptions filled with contrasting details that employ the senses to show the reader that the situation and the setting are both beautiful and polluted.

Tan is both tender and violent as the reader is drawn into the abyss of angry revenge and the love and loyalty of friends and family. It also shows that being born into a family does not guarantee such loyalty. The character of the individual breeds the kind of loyalty that would take a bullet and shoot a bullet to protect and exact revenge.

I highly recommend Tan if you like immersing your senses in the past of one hundred years ago on English and Irish soils bloodied from wars and stained with tears.

THE GOLDEN GRAVEI also recommend reading Tan before delving into Lawlor’s second “Liam Mannion” novel, The Golden Grave. Liam is once again in exile in England in 1920 when he runs into a war buddy from the trenches in France. The novel’s conflict is set almost immediately as a group of World War I veterans enter into a dangerous project that involves digging into the battlefield grounds of France to find the pot of gold.

The love and lust affair between Liam and Sabine offers some sexual tension, but also provides a buffer between the tedious task of unearthing the treasure and the trauma all the former soldiers feel upon returning to the arena of so many deaths—some of which they caused.

If the story verges toward romanticism, Lawlor skillfully and abruptly changes the tone with flashes of jealousy and flashbacks of war. He uses contrasts to create vivid sketches of the setting as he does in this scene when the veterans make it back to the small village in Flanders that became their touchstone during the worst days of the war:

“The road ran like a scar across Flanders’ ruined landscape. Amongst the straggling wild flowers and sparse grass patches, the animals watched beneath a noon-day sun that shone bright and pristine. A black rat paused in its scavenging; its head tilted high, the whiskers twitching expectantly as it listened to the soft shuffle of booted feet.”

Liam Mannion is impacted by the war, yet in him Lawlor has created a sympathetic and very human main character. He loves, yet he’s afraid of rejection so he holds back. He’s loyal, yet his temptations lead him to places that test his loyalty. He doesn’t always win those personal battles, but he manages to find his way back to remind us all it’s never too late to find redemption.

The Golden Grave is more graphic and more violent than Tan. The horror of war and its impact on individuals plays a role in the plot, but perhaps the quest for gold to quench an unquenchable greed drives the conflict and extracts tolls far more costly than war. It also points to human failings of the worst kind.

Lawlor’s talent is evident in the fast-paced and moving story of war, greed, and passion found within the pages of The Golden Grave. I’m not one for war stories in general, but The Golden Grave is so suspenseful and action-packed and filled with historical importance that I enjoyed every minute reading this book.

Note to Mr. Lawlor:  I hope there’s a third “Liam Mannion” novel in the works.

Purchase Links:

The Golden Grave: http://goo.gl/qMCTa

 

 

 

 

 

 

Author Wednesday – David Lawlor

typewriterWelcome to Author Wednesday. Today I interview David Lawlor, the author of two historical novels published as eBooks. Tan is set during the Irish War of Independence, and its sequel, The Golden Grave,  is set in the old battlefields of WWI.

RESIZED TANTHE GOLDEN GRAVE

Welcome to Author Wednesday, David. I love something I read about the writer and scientist Rachel Carson (Silent Spring). She said she never chose a subject because as a writer, the subject chose her. Describe a time when a subject chose you.

When I started out as a journalist I heard the story of how the Choctaw Indians in Oklahoma had raised money for the Irish famine relief fund in the 1840s. Their generosity always stayed with me, and I knew that someday I would write about that story. It took ten years or so before I got round to it, but that became my first book.

That’s a subject that clearly chose you. Do all your books have a common theme or thread?

My first published book, Tan, told the story of Liam Mannion, an Irishman who served as a Black and Tan during the Irish War of Independence. The Tans were ex-WWI servicemen brought to Ireland as Temporary Constables. They became notorious for their cruelty.  It was a time of great violence and brutality on all sides.

My grandfather was heavily involved in the War and the subsequent Civil War. He was actually tortured by the Tans and had a finger nail pulled out during interrogation. He was also a member of a firing squad during the Civil War so this period is close to my heart. I felt Liam had a much larger story to tell than just the one in Tan so I have now written about him again, in The Golden Grave, returning to the battlefields of France in search of lost treasure. I am working on a third book involving Liam, which is set during the treaty talks with the British in 1922. After that, I think Liam is bound to see more action in the Civil War that followed the treaty.

How incredible that you could take the seeds of your own family’s history and create several novels. You must have a great affinity for Liam. Explain how this book was conceived in your imagination.

A documentary about the excavation of a WWI bunker set the ball rolling. I wondered what you might find down there. From that, I developed the story of five war-scarred veterans returning to the crucible of the battlefield to dig for lost treasure and of how the ghosts of their wartime experiences haunt them.

What other type of research did you do?

The documentary was a great help. I researched tunneling techniques and bunker building and read  accounts of what life was like in the trenches. I also studied photographs of the battlefields as well as maps of  France and Switzerland, which is where the finale takes place.

The documentary served as your starting point for the rest. Who or what is the antagonist in your book? Did you enjoy creating this character?

There’s a femme fatale in The Golden Grave called Sabine. She runs a soldiers’ bar near the frontline. She is beautiful, sexy, and knows how to wrap a man around her finger. She is also extremely devious and will do anything to further her own ends. She was great fun to write.

I understand. I love creating devious characters. Without giving us a spoiler, tell us a little bit about your favorite scene in this book.

I liked writing the opening scene, in which a train hurtles through Flanders at night. The scene focuses on the driver and his coalman as they try to outrun a German artillery barrage. I wanted to convey the fear and tension of their predicament. They are on a steam locomotive so it was fun trying to capture the workings of the train and placing it in the ruined backdrop of war.

Where do you write?

On my fifty-minute commute into work, during my lunch break, and on the journey home. I aim for one thousand words a day – sometimes I reach that figure, sometimes not.

That’s amazing, David. Your goal is ambitious. How does your immediate family feel about your writing life?

My wife is resigned to it by now. I think that after I wrote my first novel she felt I had  it out of my system. It was quite the opposite – I had been bitten by the bug! We have four young children, who are unaware of their dad’s pastime. I published my first book in April 2012, as my mum lay dying in hospital. She got to see press clippings about it, which.was nice. I dedicated Tan to her and my dad.

That’s wonderful, David. I’m sure one day your children will be well aware of their father’s other passion. Thank you for stopping by today. I enjoyed getting to know you a little bit better, and I look forward to reading your books.

DavidAbout David: I’m no historian, but I do like the subject (I even managed to get an Honors degree in it after much sweat and tears). I also like to write historical fiction. The idea is to collate interesting snippets from the past, things which spark an interest and maybe even a story or two. My day job is as an editor with a national newspaper.

In the course of my research, I have come across what I think are interesting facts, which you might like to read.

Links
Twitter: @LawlorDavid
BOOKS:
The Golden Grave: http://goo.gl/qMCTa